![]() Also residing in Altrusia was Enik (Walter Edmiston), a superintelligent being who at first glance appeared to have come from the future, but was actually an antecedent of the Sleestak, who had devolved from a once highly advanced civilization. The Marshalls were now surrounded by a frightening array of Paleozoic dinosaurs, a Cenozoic-era family of monkey-like humans called the Paku, and the fearsome, seven-foot-tall Sleestak, who resembled a cross between beast and insect. They emerge in a faraway planet called Altrusia, a primitive land that had somehow become a gathering place for beings of various other time periods. While embarked upon an expedition of the Colorado River, camp ranger/explorer Rick Marshall (Spencer Milligan) and his children Will (Wesley Eure) and Holly (Kathleen Coleman) plunge over a waterfall and into a time vortex. Pufnstuf, The Bugaloos, and Lidsville), and far more ambitious. The fourth Saturday morning TV series produced by puppeteers Sid and Marty Krofft, Land of the Lost was far more serious in tone than their earlier efforts (H.R. Burrows), a genius-IQ teenager who wants to become a filmmaker and Marilyn Whirlwind (Elaine Miles), a soft-spoken Native American who serves as Fleishman's receptionist. As Fleishman bides his time in Cicely, he gets to know many of the local residents, including Maurice Minnifield (Barry Corbin), a multi-millionaire former astronaut who is the city's largest property owner Maggie O'Connell (Janine Turner), a bush pilot (and the town's mayor) who has an on-again, off-again romance with Fleishman Chris Stevens (John Corbett), the philosophical DJ at the local radio station Holling Vincoeur (John Cullum), the owner of a local watering hole who has married Shelly Marie (Cynthia Geary), a young woman who was once in love with Maurice Ed Chigliak (Darren E. Joel Fleishman (Rob Morrow), a recent medical school graduate who attended Columbia University on a scholarship that stipulated that after graduation, he had to spend four years working as a general practitioner in the small town of Cicely, AK, where he is to be paid the princely sum of 465 dollars a month. Bold, brave, and ahead of its time, "The Twilight Zone" is often imitated and parodied, but has never been bettered.An offbeat comedy drama series, which gained a loyal cult following and enthusiastic press during its five-season run, Northern Exposure concerned Dr. What is, of course, worthy of note is that it's "The Twilight Zone" that introduced many of these twists and tropes to television's lexicon in the first place. It's telling that, to modern viewers, the series can feel derivative because of its visual storytelling tropes and twists that we're all too familiar with. Setting his stories in space or peppering them with robots gave him the freedom to talk about difficult subjects like race, human rights, immigration, and even the touchy subject of McCarthyism without the show ever feeling preachy. Having worked in the entertainment industry for many years, he was only too aware that he'd never get the opportunity to write about social issues in a prime-time television slot, but had the cunning idea of introducing storylines about controversial topics through a palatable fantasy setting. The theme tune alone - a repeating sinister calliope fairground-esque melody - is enough to cause a Pavlovian reaction in adults of a certain age, instantly setting the hairs on the back of their necks on end as they recall the tension of the opening credits.Ĭreator Rod Serling was a strong advocate of human rights. The stories featured a pantheon of British acting talent, with notable episodes being " Royal Jelly," in which a father feeds his newborn royal jelly, a substance used to feed bee larvae, with predictably nightmarish results, and " The Landlady," in which a traveler stumbles across the most sinister of hotels, which houses the quietest of fellow guests. ![]() ![]() While earlier seasons featured tales written solely by Dahl, later ones started to include other writers as the short stories from Roald grew scarcer. Appearing at the start of each show beside his roaring fireplace with all the bearing and demeanor of a friendly uncle, Dahl would introduce each episode, his warm and comforting tones ill-preparing you for the macabre and twisted tale that would invariably follow.
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